Well, not so much your actual, personal toes. I’m assuming those start towards the end of your feet. I more mean where do your sock toes start. I ask because the yellow socks are looking a lot like this:
That’s the point where I have to try them on every two or three rows to see if it’s time to do the toes. For my feet, I’m happiest if I start the first round of toe decreases just as the sock reaches the tip of my smallest toe (so I need about another half inch or so on this one). Then I do decreases every other row until the sock reaches the tip of my next toe. For me that’s usually three pairs of decrease round/non-decrease round. Then I decrease every row until I have somewhere around 20 stitches left (the precise number often depends on the specifics of the pattern and what will look best).
But I know everyone seems to do their toes differently, and I’m curious how you do it. Do you do exactly what a pattern says? Do you have landmarks on your own feet you use to guide you (yes, I have seen the tattoos, that’s some real dedication)? Do you do anatomical toes? Or maybe you just wing it? I always feel that really well fitting toes are one of the perks of knit socks, and I’m curious to hear how you guys tweak yours.
So let’s talk about blocking. You know those stitches that just, by their nature, don’t want to lie flat? The ones that have a bit of ripple and curve to them? Yeah. There are a few ways you can go with them. You can force them flat when you block, or you can exaggerate the the waves. I think both can be fun, but what about you guys. Would you freak out if the blocking instructions wanted you to do this?
You’d need either several (oh, maybe 12?) straight needles or a set of blocking wires or some super skinny dowels from the craft store or the snipped off bottom parts of some coated wire coat hangers or some other clever thing I’m sure I’m just overlooking.
Or what about something like this?
That’s the same swatch, just held in place with some tiny binder clips. Clothes pins or even hair clips could work too.
The point is that you’d likely need to do some creative scavenging to block this way, but it wouldn’t be all that hard. And if you did need to buy something like dowels or binder clips, you could get what you needed for less than five bucks.
Next month is going to be busy. It’s the good sort of busy. Actually it’s two good sorts of busy, first the super productive slightly frantic sort, then the relaxed chill sort. It should all be fun, but it does require a bit of advance planning.
So, I’m polling the collective here. First, any must know tips for Rhinebeck? I’m going (yay), and it’s my first one, and I want to be sure to do it right. Second, any marvelous yarn shops in Maine I should know about? Maine’s big, and we’ll be staying on the coast, so nothing too far inland. But you guys are all knowing, so I’m shamelessly asking you for ideas.
The hat is going to have a wee flipped up bit at the brim. I had initially planned to hold this in place with a button. But the more I play with it, the more I want the hat to be reversible. That means a button won’t really work so well. A pin or a brooch would work much better. Now of course I’m happy to try and track down something cool (oh etsy, your siren song draws me in every time), but I’m also a fan of the use what you have approach. Alas, I’m not really a brooch sort of girl…I have one or two, but none that seem quite right for this.
You see, I have a few of these old, embossed metal bug pins. I think they’re Japanese. I know they’re nifty. I’m not sure what the appeal is…they’re much more realistic than your standard cute bug thing. Yet somehow, they fill me with mirth and glee.
So the question becomes, is it too creepy to use on the hat? Or more specifically, is it too creepy to use on the hat’s eventual pictures? Will it’s buggy goodness squick people out and send them running from the pattern? Or is it merely charmingly eclectic? I mean you’d be picking your own yarn and pin, it’s not like you would have to use a bug. Or are bugs just too far beyond the pale?
I’m meeting with the photographer for Book the Second on Thursday. We’ll be having a planning meeting, wandering the halls of our photo shoot location, and generally plotting how to make this book extra awesome.
I have my list of ‘things to ask’ and ‘things to insist upon.’ But I’m sure there’s something I’m overlooking. After all, this organize and execute a book thing is still new to me.
So here’s where you come in. I’ve got two questions for you.
First, what do you always wish you could tell the photographers of your knitting books? Is there something you love? Something you hate? Something that just bugs the crap out of you? Whatever it is, lay it on me. I can’t promise to do everything (because sometimes y’all give contradictory answers), but I can promise to read and think about all of your comments.
Second, do you have any favorite knitting photographers I should be flipping through for inspiration? I know (and love) Alexandra Grablewski, and would love to have names or sites for other folks I can look at and share with my photographer.